![]() ![]() From there, he enrolled in Texas A&M University in College Station. ![]() And it’s those same characteristics within Lovett’s curious soul that have remained since his teenage days of playing guitar with a high school buddy at a now long-gone steak and seafood restaurant in his native Houston.Ī post shared by Lyle Lovett year was 1976 and Lovett was just 18. He’ll answer a posed question with a meticulous response, one filled with wonderment and excitement. In conversation, Lovett is affable and introspective. That’s the appeal of it for performers and for the audience.” “And you can’t go anywhere, so it’s all about association and genuine interaction. You get to see performers you don’t always get to see, all in one place,” Lovett says. Lovett is a passionate, if unlikely cruiser. Dubbed “A Journey Through Song,” the sold-out affair will include Lake Street Dive, Billy Bragg, Nikki Lane, Rodney Crowell, Hiss Golden Messenger, the War and Treaty, the Mavericks, and Lucius. To note, Lovett will also headline the 16th edition of the Cayamo music cruise March 1 through 4, 2024. Lyle Lovett, Robert Earl Keen Duet on 'This Old Porch' on 'Austin City Limits' “But having the record deals I’ve had and having my records out in the world has given me a touring life.” I never sold enough records to ever get a mechanical royalty from a record sale,” Lovett says. “The bottom line is that is how I make my living. He’ll be joined for several dates by John Hiatt, then a handful of shows with Leo Kottke. Once fall rolls around, Lovett will again pack his bags and hit the road, but this time as a solo act, just his voice, a guitar and whatever magic may occur by happenstance. “The great thing about working with talented people is that you get together and collaborate - new ideas come forward, so I’m always excited about that.” ![]() You’re just trying to do your best to figure out what to do next and how to continue to keep your audience’s interest,” Lovett says. Kicking off in Kentucky, the journey seemingly hits every corner of the lower 48 states and parts of Canada before wrapping up in Texas in late August. Last month, Lyle Lovett & His Large Band embarked on a new nationwide tour. Playing and singing, making up a song or taking a picture, it’s all the same thing.” “There’s never a point in what I’m doing that I have to, you know, pretend or act a certain way. “I feel so privileged in my job, in that I get to go around and just be myself all the time - warts and all, for better or for worse,” the 65-year-old says. I keep a camera with me all the time - I love taking pictures.” “In 1978, I bought a Nikon, which I still have. “My parents had this little Argus camera when I was a boy, and they were always fine with me playing with ,” Lovett says. But, nowadays, he finds the act of photography a sort of full-circle thing. Initially, he viewed it as a way to maintain a presence on social media without seeming self-indulgent or self-congratulatory. “It’s all connected.”įor over a decade now, Lovett has been snapping images of each and every single stage he’s played. “In terms of every type of expression you might engage in, it’s just all the same,” Lovett tells Rolling Stone. The entire scene repeats itself a handful of times before Lovett is satisfied with how the empty venue, soon-to-be-packed with concertgoers, is portrayed. Lovett’s road manager yells loudly, “Fire in the hole,” as the room goes silent, the only subsequent sound being the click of the camera. Standing behind a camera atop a tripod onstage at the Smoky Mountain Center for the Performing Arts in Franklin, North Carolina, Lyle Lovett peers into the viewfinder and pauses for a moment before hitting the shutter button. ![]()
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